{"id":273196,"date":"2023-11-09T10:16:43","date_gmt":"2023-11-09T17:16:43","guid":{"rendered":"https:\/\/coloradomusicfestival.org\/?p=273196"},"modified":"2023-12-01T14:27:33","modified_gmt":"2023-12-01T21:27:33","slug":"after-premiere-wang-jie","status":"publish","type":"post","link":"https:\/\/coloradomusicfestival.org\/after-premiere-wang-jie\/","title":{"rendered":"After the World Premiere: Wang Jie\u2019s Flying on the Scaly Backs of Our Mountains"},"content":{"rendered":"<p><i><span style=\"font-weight: 400;\">Story by Kyle MacMillan<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Since appointing conductor <a href=\"https:\/\/coloradomusicfestival.org\/about-the-festival\/peter-oundjian\/\">Peter Oundjian<\/a> as Music Director in 2019, the Colorado Music Festival has put a renewed focus on contemporary music, featuring esteemed figures like John Adams and John Corigliano as composers-in-residence.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In addition, it has commissioned a series of significant new works, putting an emphasis on equity and inclusion with the selection of such creative voices as <\/span><a href=\"https:\/\/coloradomusicfestival.org\/after-premiere-joan-tower\/\"><span style=\"font-weight: 400;\">Joan Tower<\/span><\/a><span style=\"font-weight: 400;\">, known for enduring works such as her <\/span><i><span style=\"font-weight: 400;\">Fanfare for the Uncommon Woman<\/span><\/i><span style=\"font-weight: 400;\">, and <\/span><a href=\"https:\/\/coloradomusicfestival.org\/after-premiere-joel-thompson\/\"><span style=\"font-weight: 400;\">Joel Thompson<\/span><\/a><span style=\"font-weight: 400;\">, a member of an informal composers group known playfully as \u201cThe Blacknificent Seven.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWe believe that classical music is at a critical juncture,\u201d said Elizabeth McGuire, the Festival\u2019s Executive Director, \u201cwhere it\u2019s our responsibility to secure a future for our art form in which we reflect and resonate with all people. One of our primary methods is to elevate the voices of those who have traditionally been underrepresented, including BIPOC and women composers.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">That effort continued in August 2022 when the Festival presented the world premiere of a 10-minute work by Wang Jie, a Chinese-born American composer who is perhaps best known for her Symphonic Overture \u201cAmerica, the Beautiful\u201d<\/span> <span style=\"font-weight: 400;\">(2016).<\/span><\/p>\n<div id=\"attachment_272831\" style=\"width: 310px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-272831\" class=\"wp-image-272831 size-medium\" src=\"https:\/\/coloradomusicfestival.org\/wp-content\/uploads\/2023\/06\/Peter-Oundjian-and-Wang-Jie-Fred-Child-300x240.jpeg\" alt=\"Peter Oundjian and Wang Jie at the Colorado Music Festival - a classical music festival in Boulder, Colorad\" width=\"300\" height=\"240\" \/><p id=\"caption-attachment-272831\" class=\"wp-caption-text\"><em>Peter Oundjian (left), Wang Jie (right)<\/em><\/p><\/div>\n<p><span style=\"font-weight: 400;\">\u201cShe\u2019s a really skilled composer,\u201d Oundjian said. \u201cShe has a wonderful ear and knows how to use the colors of the orchestra to fantastic effect \u2014 just brilliant writing and a tremendous sense of rhythmic drive.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">When Jie received the Festival commission for the new piece in 2019 \u2014 the premiere would eventually be delayed due to Covid-19 \u2014 she quickly realized that she wanted to write a kind of homage to the Flatirons and the spectacular mountain landscape within eyeshot of Boulder\u2019s Chautauqua Park, where the summer concert series takes place.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The 43-year-old composer previously spent time rock climbing in El Dorado Canyon, which is about 9 miles from Boulder. As she began to conceive this piece, those memories came flooding back to her, she said, like movies running in her head.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIt was a memorable experience,\u201d Jie said. \u201cI couldn\u2019t help but think about that. When I think about Colorado, it\u2019s always a happy, humming feeling about being in the mountains.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In this work, which is evocatively titled <\/span><i><span style=\"font-weight: 400;\">Flying on the Scaly Backs of Our Mountains<\/span><\/i><span style=\"font-weight: 400;\">, she imagines what it would be like to have wings and to be able to fly up to and around Colorado\u2019s towering peaks.\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If the enthusiastic response the piece received at its debut was any indication, it clearly connected with the Festival audience. \u201cI was thrilled,\u201d Jie said. \u201cIt was an instant standing ovation.\u201d\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">While Festival officials obviously seek just such success for any of the event\u2019s premieres, they also want the new pieces to have a life beyond that one performance and perhaps even ultimately become part of classical music\u2019s permanent repertoire \u2014 a rare yet not unattainable goal.\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cObviously, you\u2019re doing all that work and you have to raise money to do it,\u201d Oundjian said of the commission process, \u201cand you definitely don\u2019t want the piece to die after the first performance. That\u2019s really critical.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">And indeed, <\/span><i><span style=\"font-weight: 400;\">Flying on the Scaly Backs of Our Mountains <\/span><\/i><span style=\"font-weight: 400;\">received a subsequent performance in August, when the Lviv National Philharmonic Orchestra of Ukraine included it and another of the composer\u2019s works on one of its programs.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The orchestra\u2019s principal conductor, Theodore Kuchar \u2014 who also served as the Music Director of the Boulder Philharmonic from 1996-2006 \u2014 met Jie when the Lviv orchestra toured the United States in early 2023. Jie\u2019s husband, Fred Child, host of National Public Radio\u2019s Performance Today, covered the tour, and the couple attended a post-concert dinner in New York following the ensemble\u2019s concert there.\u00a0\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Jie happened to have a computer tablet with her and she wound up showing Kuchar, a Ukrainian-American conductor, a few of her scores, and he was immediately taken with them. \u201cI have to say that the music made a sensational impression on me,\u201d he said. \u201cHer concept of sound, how she achieves this sound and how well it\u2019s written for the orchestra, this is something that cannot be taken for granted.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cFrom all the works I have performed from the last several decades, a lot of which have been recorded,\u201d Kuchar said, \u201cthese two works of hers left the highest impression on me and the orchestra, too, I must say.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Buoyed by the after-premiere success of <em>Flying on the Scaly Backs of Our Mountains<\/em> and other music it has debuted in recent summers, the Festival is hard at work on future commissions. Watch the Festival website for news of those exciting upcoming projects.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0_________<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Have you enjoyed hearing new music at the Colorado Music Festival by <\/span><a href=\"https:\/\/coloradomusicfestival.org\/after-premiere-joan-tower\/\"><span style=\"font-weight: 400;\">Joan Tower<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/coloradomusicfestival.org\/after-premiere-joel-thompson\/\"><span style=\"font-weight: 400;\">Joel Thompson<\/span><\/a><span style=\"font-weight: 400;\">, Wang Jie, and many other contemporary composers? <\/span><a href=\"https:\/\/coloradomusicfestival.org\/ways-to-give\/\"><b>Donate today so we can commission new works like this in the future.<\/b><\/a><\/p>\n<p><span style=\"font-weight: 400;\">\u201cSo long as the human spirit thrives on this planet, music in some living form will accompany and sustain it and give it expressive meaning.\u201d<br \/>\n<\/span><i><span style=\"font-weight: 400;\">\u2014Aaron Copland<\/span><\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 2022, the Festival gave the first performance of Wang Jie&#8217;s &#8220;Flying on the Scaly Backs of Our Mountains,&#8221; inspired by the composer&#8217;s rock climbing adventures in Colorado&#8217;s Eldorado Canyon. Read about the success this music has enjoyed after its world premiere. <\/p>\n","protected":false},"author":78,"featured_media":271441,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[445,382],"tags":[],"class_list":["post-273196","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-after-the-world-premiere","category-blog"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/posts\/273196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/users\/78"}],"replies":[{"embeddable":true,"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/comments?post=273196"}],"version-history":[{"count":0,"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/posts\/273196\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/media\/271441"}],"wp:attachment":[{"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/media?parent=273196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/categories?post=273196"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/coloradomusicfestival.org\/wp-json\/wp\/v2\/tags?post=273196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}